Saturday, April 28th 2012
We awoke to grey skies and the splash of rain. It was decidedly chilly too. Just the sort of day to cuddle up warm at home, wouldn’t you say? Instead, we went to Oxford. We had not visited this city of “dreaming spires” for a while and it seemed about time to do so though I could have wished for more appropriate weather.
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Oxford train station
A cold wet day in Oxford
I did vaguely hope that the weather would be better in Oxford but, of course, it wasn’t. However, once we were here, we had to make the best of it.
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The Oxford Ox
By Olivia Musgrave, commissioned 2001
The origins of the settlement that grew into England’s oldest university town are lost in the mists of history. The position is strategic: the Thames here was shallow enough for cattle to walk across, a fact recalled in the modern name of Oxford. Opposite the station, the name is recalled again in Olivia Musgrave’s sculpture of an ox, commissioned in 2001 for the opening of the new building of the Saïd Business School, beside which it stands. A.N. Wilson claims that it also reminds us that Oxford has an historic cattle market but I prefer to think of it just as a very fine and lively-looking ox.
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The Cherwell
One of the many river branches and waterways that decorate Oxford
Our path from the station to the town took us along Bridge Street which, appropriately enough, goes over a bridge. The river it bridges is the Cherwell. At least, I think it is, though there are so many streams, branches and waterways here that it is difficult for the visitor to be sure which one he is looking at.
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The Oxford Canal
Opened in 1790, linking Oxford and Coventry
Beside the river at this point is the beginning (or end) of the Oxford Canal. This runs for 78 miles, through Banbury and Rugby to Coventry, with links to the Thames and the Grand Union Canal.
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Commemorating 200 years
A structure designed by William Bird
Nearby is this – what would you call it? An installation? A structure? – consisting of six lock gate balance beams sticking out from a central brick turret, looking a bit like a winch. It was designed by William Bird to be unveiled in celebration of the canal’s bicentenary. It probably makes sense to someone.
There was a pair of geese swimming and dabbling in the river. As soon as he spotted us, the male paddled across to see if we had anything to give him but the female was more circumspect and kept away. As it happened, the goose was lucky and got some treats from Tigger.
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Corn Exchange and Old Fire Station
Though looking as though they are all of a piece, these two buildings in George Street were built separately at the same time, 1894-6, though by different builders. The corn exchange was used by corn merchants until 1832 when they found accommodation in the new cattle market. The fire brigade was founded in 1870 as a volunteer organization, hence, perhaps, its motto SEMPER PARATUS – SEMPER VOLENS (“Always ready, always willing”). This was the brigade’s third home, which it occupied until 1971. The building now serves as an arts and performance centre.
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Saxon Tower
Oxford’s oldest building
George Street leads to Cornmarket Street where, among other things, one finds the Church of St Michael and this impressive square-built tower. Though now incorporated into the church, the Saxon Tower was once part of the city walls and, dating to about 1,000 years ago, is Oxford’s oldest building. It can be visited, although we haven’t so far been inside, and I am told it contains treasures worth seeing.
In nearby St Michael’s Street, we find this tableau, which I take to be St Michael fighting Satan in the form of a dragon. For a religion that preaches love and peace, Christianity does evince a strange and sadistic obsession with violence and killing.
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Timber-framed houses
Originally dating from the 15th century
I have to admit that after even this short walk, the weather was making me feel miserable and the rain was a disincentive to taking photos. (My camera is not an underwater model, after all!) So when Tigger proposed going into this building, I was only too happy to agree. Actually, it wasn’t so much the building itself, interesting as this may be, that attracted me but the fact that there was a cafe within. For a while we were able to relax and dry off in the warm.
The building, nos. 26 and 27 Cornmarket Street, dates from the 15th century, though with later alterations. For example, the upper floors would have made an overhang but the space beneath this has been occupied by extending the floor plan of the shops. The ground floor has been converted into two shops and no. 26 (the nearer) still retains a dwelling on the first and second floor. The building is of course Grade II listed.
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St Michael’s Street
With the Oxford Union on the left and the tower of the Wesley Memorial Church at the end
A day like this is one for indoor rather than outdoor activities and so we hoped to pay a visit to the Museum of Oxford. Accordingly, after our brief respite in Pret A Manger, we set out again along Cornmarket.
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Cornmarket Street
Pedestrianized for part of its length
Cornmarket Street is lined with shops and is quite long. It makes sense, then, that it is pedestrianized for part of its length, something I approve off and would like to see more of in our towns. At the end of this street is a crossroads, called Carfax, considered by many to be the centre of Oxford. The name is thought to come from the Latin quadrifurcus (‘four forked’) or the French carrefour (‘crossroads’). The other three streets meeting here are the High Street, St Aldate’s and Queen Street.
Carfax Tower
All that remains of the Church of St Martin
The landmark here is the Carfax Tower, once the belfry of the 13th century Church of St Martin, the rest of which was demolished in 1900 in order to allow road widening to take place. The tower is 74 ft high and an ordinance forbids the building of any structures higher than this in the centre of Oxford. If only such an ordinance existed in London to prevent the building of obscenities like the Heron Tower and the Shard.
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Carfax Tower Clock
Still striking the hours and quarters
The bells of the old church remain in place and are still rung on special occasions. I believe they are also used to ring the hours and the quarter hours on the splendid clock with its motto FORTIS EST VERITAS (‘truth is strong’). When St Martin’s church still existed, it was the church which the mayor and other officers of the town were expected to attend. This piece of knowledge brought an interesting sequel later (see below).
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St Aldate’s
With the Town Hall (left) and Tom Tower in the background
We now turned down St Aldate’s towards the Town Hall, to which is adjoined the Museum of Oxford. In the above photo, the Town Hall is on the left while the famous Tom Tower is seen in the background.
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Town Hall
Façade and main entrance
Quoting from the English Heritage listing text, the Town was built in “1893-7 in Elizabethan-Jacobean style in Clipsham stone by H T Hare”. An extension was added on the northward side in 1932. You would expect the Town Hall of a rich and ancient city like Oxford to be splendid, inside as well as outside. So we went in to take a look.
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Main staircase
No less grand than expected
In the entrance we met an obliging gentleman seated at a desk. He explained that as the offices were closed and weddings were taking place, we would not be able to access the upper floors but that we were welcome to take photographs on the stairs and landing.
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Elegant archways and…
…beautifully decorated ceilings
He was able to tell us something of the history of the Town Hall and describe some of the wonders in other parts of the building. Meeting people like this is a pleasure because they increase the enjoyment of the visit.
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Landing
Every detail shows the quality of the workmanship
Doors, balustrades, radiator grilles, carvings… all show a high degree of quality in their finish. The building expresses the pride of the city fathers in their city and both design and detail are tasteful and executed with finesse.
Over the stairs as one turns to descend, one sees the city coat of arms, moulded in relief and painted in full colour, and a clock which has presumably been telling time in the Town Hall for 115 years or so.
I would have liked to see other parts of the building because, according to our host’s description, there would have been wonders to behold. Perhaps we can return another time and gain access to the parts that were closed today.
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A heraldic beast…
…guards the stairs
Everywhere you look there are features and details to notice. Our host told us that though he had worked here for years, as he goes about he often sees something that he has not noticed before.
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The Mayor’s Pew
A survival from St Martin’s
This seat caught my attention. Was it a throne or a ceremonial chair of some sort? This turned out to be the sequel I mentioned above. When the city officers attended St Martin’s Church, the Mayor had a special pew. When the church was demolished, the pew was brought to the Town Hall where it has resided ever since, a haunting memory of a past era.
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Here is the museum…
…but it was closed
The Museum entrance is at the south end of the Town Hall building. However, when we arrived, we found it was closed. I am not sure whether it closes on Saturday or whether it is closed for refurbishment. Either way, we should perhaps have checked. Not that it matters as there are plenty of other things to do in Oxford…
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Tom Gate
Entrance to Christ Church
Before doing anything else, it felt like time for lunch. A pleasant place to eat would be doubly welcome on such a miserable day as this. Happily, our hopes were realized…
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Shezan
A delicious Indian lunch
I can think of few things more delightful than a good Indian lunch to raise one spirit’s on a cold and wet day. Or on any kind of day, come to that. Shezan resides on the first floor of the building it occupies but it is worth the climb. I would gladly visit them again on a future return to Oxford.
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The Covered Market
Lively with a range of quality goods
We set out again into the rain and had a look around the Oxford Covered Market. Dating from the 18th century, the market seems to be going strong, still selling a range of good quality basic and luxury goods. It seemed very busy and lively which is good to see when markets in some towns are in decline.
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Playing with fire
The rain didn’t dampen his spirits
There was a fire juggler (perhaps he was also a fire eater but we didn’t wait to see) who was bravely performing, despite the weather, even if he did seem intent on setting his pants on fire. Then again, the speed of the hand deceives the eye.
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The Ashmolean
World famous Museum of Art and Archaeology
This is where we were heading. Frustrated by being denied access to one museum we sought solace in another, Oxford University’s Ashmolean Museum of Art and Archaeology, famous throughout the world. “The Ashmolean” dates its original foundation from 1683, taking its name from collector Elias Ashmole. The modern Asmolean, however, began in 1908 with the merger of the “old” Ashmolean and the University Art Collection, begun in 1620. The current theme of the museum is Crossing Cultures, Crossing Time, seeking to show that “cultures interact with and influence one another, across time and geography” (information board at the entrance).
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Assyrian horse being led by an archer
Fragment of a sculptured relief
The Ashmolean allows photography without flash. Again, I have to question why other museums are so restrictive about this. I think they are badly advised and need to wake up and join the real world.
It was interesting to see how many people were indeed taking photos, whether with cameras or with their mobiles and good to see so much interest in the exhibits, which cover a time span from ancient times to today.
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Marble tombstone
The doctor Claudius Agathemerus and his wife Myrtale (Rome, about AD 100)
In view of the vast array of subject matter, it is impossible to give even a brief impression of the whole. It would need a book. I have selected just a few of the items that particularly caught my eye, though I must say that deciding what to leave out was the hardest part!
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Gods of Rome
Arch of Trajan at Beneventum, AD 114
The description for the above reads (in part): “Jupiter, bare-chested and bearded, holds out a thunderbolt.” To me, it looks more like a French loaf but the sculpture is fine, nonetheless, and I would have liked to see it in pristine condition.
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Augustus from Prima Porta
Plaster copy of an original made 20-15 BC
If we find the above startlingly colourful, it is probably because we are used to our ancient sculptures being plain white or beige, depending on the stone used. This effigy or idealized portrait of August, initiator of Rome’s line of emperors, is a plaster copy of an original from 20-15 BC which is today in the Vatican Museum. It has been painted to show how it would have looked when first put on display. Enjoyment of vivid colour is not just a modern passion.
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Arthur Wellesley, Duke of Wellington
Plaster cast by Sir Francis Chantrey, 1814
Equally striking, to me at any rate, is this bust of the Duke of Wellington. To my eyes it is surprisingly modern and a bold approach to the portrayal of a great and famous general. His head alone, undecorated by uniform and accoutrements of rank, juts out from the base in an expression of dynamism. The label reminds us that the bust was modelled one year before Wellington’s decisive victory at Waterloo. This shows how great he was already considered to be, even without that defining triumph.
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Thirty-day striking calendar clock
By John Knibb (1650-1722) of Oxford
There were, of course, clocks and I was, of course, fascinated by them. This long-case clock, capable of running for thirty days between windings, was made my John Knibb of Oxford around 1690. John was the younger brother of Joseph Knibb, arguably the more famous of the pair, who moved to London around 1670, leaving John in charge of the Oxford business. John made many fine clocks himself, as exemplified by this beauty.
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Buddhist chaitya (miniature tower shrine)
Sandstone, Cambodia, about AD 950
I liked the way the light and shadow picked out the details of the above sculptured tower shrine. Buddhism shares with Christianity the trait that while the basic message is apparently simple, the religion has split into a bewildering array of cults, each with its own take on the founding person and additions – often complex – to the doctrine.
While the preceding examples are old or ancient, my last is bang up to date. Tigger showed it to me and wouldn’t let me see the label until I had guessed who the artist was. No problem at all with that: only one artist of my acquaintance could have made this.
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Athletics Sprinting
By Paul Day
This work in bronze, entitled Athletics Sprinting, is by the sculptor Paul Day whose work is very characteristic in its use of perspective. Other famous sculptures by him include the Battle of Britain Monument on the Victoria Embankment and, perhaps most famously of all, Meeting Point, the massive sculpture of a couple embracing that has become an icon of the Eurostar terminal at St Pancras station. The latter piece has a remarkable frieze around the base, on the theme of transport. In an age when art seems to have taken a decided plunge down a blind alley, I have much admiration for Paul Day whose work, while thoroughly modern, has not lost touch with reality and can be appreciated by ordinary people without any need of inflated and vacuous prose to explain it.
An Indian lunch followed by a leisurely ramble around the Asmolean, what could top that? Not a lot, really, especially in view of the meteorological conditions prevailing outside. We therefore now set off for the station and soon had a train for Paddington. It was good to go home, turn on the heating and make tea! Nonetheless, we have not done with Oxford yet and will be back again soon.
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Three Goats Heads – A ‘Victorian fantasy pub’ (1876) in St Michael’s Street
Copyright © 2012 SilverTiger, http://tigergrowl.wordpress.com, All rights reserved.









Once again a lovely tour. The damp and mist made some striking photos – moisture does bring out color of stone – and make even the streets reflect light. So much to see hard to comment briefly. About the “flashes” in museums – didn’t that come about as paintings are so sensitive to light in any form? (and some museums prefer you buy their photos – from the gift shop?) Thanks for braving the weather!
Flash is bad for the reason you cite – possible damage to light-sensitive materials – and for other reasons, e.g. it’s annoying to other people trying to view the exhibits! In zoos and aquariums it can cause discomfort and even injury to animals that live in dim light such as fish.
I don’t mind the ban on flash as I rarely use it. The ban is therefore a price I am willing to pay in order to be allowed to take photos (and not to be bothered by others flashing).
Definitely agree – photo flashes are annoying..the light frequently causes odd spots of light in pictures anyway.
Thanks for a nice dose of nostalgia – I lived in and around Oxford (Cowley, Blackbird Leys, Rose Hill, Kennington) for about 24 years, finally coming to rest at 96 Banbury Road before launching myself towards LA in 1995.
Have you ever made a trip to the Pitt Rivers museum (http://www.prm.ox.ac.uk)? Loads of photo-ops there (but I’m not sure of their rules regarding photography these days). Not too long a trek out of the centre of town, and I think you’d pass at least two pubs on the way there (and quite a few more on the way back, if you choose the route carefully
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Yes, we did once pay a quick visit to that museum with friends. Perhaps we should make another expedition to renew our acquaintance with it.
There are some very fine old pubs in the area and I visited a few of them when my son lived and worked in Oxford. He has now moved on so I have less occasion to go there.
Having given up alcohol about 9 years ago, I frequent pubs less often than I used to and am these days apprecIative of a nice cafe or coffee bar. Fortunately, their numbers seem to have increased in recent years as Britain has once again remembered its old love of coffee houses and WiFi has provided an excuse to spend long hours in them!
I’m surprised that Oxfordians will sit still for having a bell (Old Tom) rung 101 times at 9 o’clock every night of the world. A 6 ton bell would be quite loud, I’d think, even though it was just being rung by the clapper being tapped against the side, rather than being swung on its carriage. Wellington’s bust looks to me a little like John Cleese around the mouth. I can never think of him at Waterloo without being reminded of the verbal exchange he had with the Marquess of Anglesey. Lord Anglesey was also famous for being one of the first to wear an articulated prosthesis, which was named after him. ( http://www.sciencemuseum.org.uk/broughttolife/objects/display.aspx?id=5797 ). We do tend to forget that Greek and Roman statues would have been painted, quite garishly according to modern tastes. The statue of the doctor Claudius Agathemerus and his wife Myrtale made me laugh. She looks to be a right old battleax. I can see why you admire the city’s architecture. Those pictures you posted show it to be very fine indeed.
I think anyone who lives in one of our older and more prestigious cities, such as Oxford, Cambridge and Bath, must get used to the sounds of bells from churches and clock towers.
I found the bust of Wellington very striking, especially for the age in which is was made. I hadn’t noticed the resemblance to John Cleese.
I agree about the lady Myrtale, though the good doctor also looks very serious. It’s almost as if they have just received disagreeable news. The caption explains that the doctor is a Greek, hence the Greek inscription, and that Greek doctors were highly considered in Rome. Perhaps the artist was trying for an appropriate degree of dignity and somewhat overshot the mark.